beautiful wallpapers of love

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beautiful wallpapers of love Biography.

Name: Jennifer Love Hewitt
Height: 5' 2½
Sex: F
Bra Size : 36 C
Nationality: American
Birth Date: February 21, 1979
Birth Place: Waco, Texas, USA
Profession: actress, musician
Education: Laurel Springs High School in Ojai, Califronia (graduated in 1997)
Relationship: Ross McCall (actor; engaged November 2007), Rich Cronin (LFO; b. August 30, 1975; 1999-2001), Wilmer Valderrama (actor; b. January 30, 1980; 1999), Carson Daly (MTV VJ; b. June 22, 1973; 1997-1999), Will Friedle (actor; b. August 11, 1976; 1996-1998)
Father: Herbert Daniel Hewitt (medical technician; divorced in September 1979)
Mother: Patricia Mae (née Shipp; speech pathologist)
Brother: Todd Hewitt (chiropractor; born in 1971)
Claim to fame: as Sarah Reeves in the Fox TV Series Party of Five (1994

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beautiful wallpapers of love

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punjabi wallpapers for love

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punjabi wallpapers for love Biography

I had known Amrita Pritam for more than 60 years and, besides her live-in gentleman companion and her children, been closer to her than anyone else. I was the first to translate some of her works into English, including her best-known novel Pinjar (The Skeleton) and selections of her verse published in the brochure released by Prime Minister P.V. Narasimha Rao when she was given the Jnanpith Award. However, when T.V. and radio channels asked me to pay tribute to her when she died on October 31, I firmly said no. Then I heard and read what others had to say about her. Patwant Singh on N.D.T.V., in his usual haw haw English, spoke about her steadfast adherence to political principles. As a matter of fact, Amrita never bothered about politics and hardly ever read newspapers. Obituaries in newspapers repeated the same things about her life and work loaded, as is their practice, with superlatives. No one dared to mention her human failings.

Amrita's father was a pracharak - a preacher of the Sikh faith from Gujranwala, where she was born. After the death of his wife, father and daughter moved to Lahore. Amrita grew into a pretty girl with almond-shaped eyes, fine features and a fair complexion. She was also petite, barely five feet tall. And precocious. She began composing poetry in her teens. Her earliest work was in praise of Sikh gurus and what they stood for. She was lauded for her work. Among her many admirers was Jagat Singh Kwatra, owner of the leading hosiery store in Anarkali Bazaar. He asked for her hand for his son Pritam Singh. The offer was readily accepted. On marriage, Amrita added her husband's name to her own and became Amrita Pritam. I met her a couple of times in Lahore with other Punjabi writers all of whom were infatuated by her, chief among them Mohan Singh Mahir, then acknowledged as the best among younger poets. He claimed his affection was reciprocated. Amrita assured me it was not.

I got closer to Amrita Pritam after 1947 when we migrated from Lahore to Delhi. She got a job in the Punjabi service of All India Radio. It was about that time she decided to make a clean break from her past. She persuaded her husband to divorce her leaving their son in her custody. She did not formally renounce Sikhism but cut off her hair and took to smoking heavily. It was also around this time she composed her poem Aaj Aakhaan Waris Shah Noo addressed to the Sufi poet Waris Shah, author of the most famous tragic Punjabi saga of Heer & Ranjah.

Utth dard-mandaan dey dardiyaa tak apna Punjab
Beyley laashaan vichhiyaan
Teh lahoo da bharya Chenab

(Sharer of stricken hearts,
Look at your Punjab,
Corpses are strewn in the field
Blood flows in the Chenab.)

With this memorable lament, Amrita Pritam shot into fame in the Punjabi speaking world, both Pakistani and Indian. She never looked back.

My first disappointment came when she won the Sahitya Akademi Award. She was a member of the selection panel. She cast the deciding vote in her own favour. I found it hard to digest but said nothing to her. When she was served with a warrant by an Amritsar Court for something she had written about Sikhism, I agreed to accompany her. Nothing came of it. When Krishna Sobti took her to court for stealing the title of her autobiography Zindaginamah, I appeared in the Delhi High Court as a defence witness. Other troubles came her way, I stood by her.

Amrita was not a highly educated woman, not exposed to good writing in languages other than Punjabi. Nor sophisticated enough to add new dimensions to her own. She was besotted by Bollywood and believed getting one of her novels or short stories accepted by a film-maker was the ultimate in success. All her stories and novels were sob stuff and uniformly second rate.

When I translated Pinjar, I gave half the share of royalties due to me to her on condition that she would tell me her life story and her love life. We had many sessions. She conceded she had been in love with Sahir Ludhianvi and no one else. He came over to Delhi to meet her. It came to nothing. I told her her love life could be written behind a postage stamp. She used it as a title of her autobiography Raseedee Ticket. About Imroz, the one who devoted most of his life to her, she had not much to say. (He is not Muslim as the name might indicate, but a clean-shaven Sikh.) He not only loved her, painted her eyes on doors and walls, designed book jackets for her but in the past few years of her life, when she was unable to move, looked after her to the last. He gave me a line drawing of Waris Shah, which I keep in my studio as an emblem of eternal love.

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wallpapers of love heart

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wallpapers of love hearts Biography

Sisters Ann and Nancy Wilson were the creative spark behind Heart, a hard rock group who initially found success in the mid-'70s, only to reach greater heights after engineering a major comeback a decade later. The daughters of a Marine Corps captain, Ann (born June 19, 1950) and Nancy (born March 16, 1954) grew up in both Southern California and Taiwan before the Wilson family settled in Seattle, WA. Throughout their formative years, both were interested in folk and pop music; while Ann never took any formal music lessons as a child (she later learned to play several instruments), Nancy took up guitar and flute. After both sisters spent some time at college, they decided to try their hand as professional musicians, and while Nancy began performing as a folksinger, Ann joined the all-male vocal group Heart. Based in Vancouver, British Columbia, Heart was actually formed in 1963 by bassist Steve Fossen and brothers Roger Fisher and Mike Fisher; initially dubbed the Army, they later became White Heart before settling on simply Heart at the beginning of the '70s. After her arrival in the group, Ann became romantically involved with guitarist Mike Fisher; when Nancy joined in 1974, she in turn began a relationship with guitarist Roger Fisher. Soon after Nancy's arrival, Mike Fisher retired from active performing to become the band's sound engineer. After gaining a following in Vancouver, Heart was approached by Shelly Siegel, the owner of the Canadian label Mushroom; augmented by keyboardist Howard Leese and drummer Michael Derosier, they recorded their debut album, Dreamboat Annie, in 1975.
After selling more than 30,000 copies north of the border, Mushroom issued the LP in the U.S. where it quickly achieved platinum status on the strength of the hit singles "Crazy on You" and "Magic Man." In 1977, Heart jumped ship to the CBS affiliate Portrait, resulting in a protracted legal battle with Siegel, who in 1978 released the unfinished LP Magazine on Mushroom shortly after the band issued its true follow-up Little Queen on Portrait. The single "Barracuda" was another massive hit, and like its predecessor, Little Queen sold over a million copies.
After 1978's Dog & Butterfly, both of the Wilson/Fisher romances ended and Roger Fisher left the group. In 1980, Heart issued Bebe Le Strange; following a lengthy U.S. tour, both Fossen and Derosier exited and were replaced by ex-Spirit and Firefall bassist Mark Andes and former Gamma drummer Denny Carmassi. After 1982's Private Audition and 1983's Passionworks slumped, the group was largely written off by industry watchers, and moved to Capitol Records.
In 1985, however, Heart emerged with a self-titled effort that ultimately sold more than five million copies on its way to launching four Top Ten hits -- "What About Love?," "Never," the chart-topping "These Dreams," and "Nothin' at All." 1987's Bad Animals continued their comeback success; "Alone" was another number one hit, and both "Who Will You Run To" and "There's the Girl" achieved considerable airplay as well. Brigade, issued in 1990, featured the number two smash "All I Want to Do Is Make Love to You," as well as the Top 25 hits "I Didn't Want to Need You" and "Stranded." In the early '90s, the Wilson sisters took a brief hiatus from Heart to form the Lovemongers, an acoustic quartet fleshed out by Sue Ennis and Frank Cox; in 1992, they issued a four-song EP that included a cover of Led Zeppelin's "The Battle of Evermore." Heart returned in 1993 with Desire Walks On, on which Andes and Carmassi were replaced with bassist Fernando Saunders and drummer Denny Fongheiser. With 1995's The Road Home, Heart enlisted onetime Zeppelin bassist John Paul Jones to produce a live, acoustic set reprising hits like "Dreamboat Annie," "Crazy on You," and "Barracuda."
Heart went on hiatus by the late '90s, as the Wilson sisters concentrated on the Lovemongers, issuing a pair of albums -- 1997's Whirlygig and 1998's Here Is Christmas. But Heart wasn't completely silent -- they were the subject of one of the better episodes of VH1's Behind the Music, a pair of best-of sets were issued (1998's Greatest Hits covered their early classics, while their later years were spotlighted on 2000's Greatest Hits: 1985-1995), and their music continued to pop up in movie soundtracks (2000's The Virgin Suicides, among others). In 1999, Nancy Wilson released her first solo album, Live at McCabe's Guitar Shop, and a year later penned the score to her husband Cameron Crowe's hit motion picture, Almost Famous, while Ann Wilson continued to play with others -- in the summer of 2001, she participated in the A Walk Down Abbey Road: A Tribute to the Beatles tour, which also featured Todd Rundgren, John Entwistle (The Who), and Alan Parsons (The Alan Parsons Project).

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Wallpapers of love quotes

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Wallpapers of love quotes Biography
"There is love and Love. You love your family — your father, mother, sister, brother, husband, wife, etc. But you do not love your neighbour. You love your son or daughter, but you do not love all children. You love your father and mother, but you do not love everyone the way you love your father and mother. You love your religion, but you do not love all religions. Likewise, you have love for your country, but you do not love all countries. Hence, this is not Love; it is only love. Transformation of this love to Love is the goal of spirituality. In the fullness of Love blossoms the beautiful, fragrant flower of compassion."

~

"Children, love can accomplish anything and everything. Love can cure diseases. Love can heal wounded hearts and transform human minds. Through love one can overcome all obstacles. Love can help us renounce all physical, mental and intellectual tensions and thereby bring peace and happiness."

~

"If we penetrate deeply into all aspects and all areas of life, we will find that hidden behind everything is love. We will discover that love is the force, the power and inspiration behind every word and every action. This applies to all people, irrespective of race, caste, creed, sect, religion or of what work people do."

~

"Do your work and perform your duties with all your heart. Try to work selflessly with love. Pour yourself into whatever you do. Then you will feel and experience beauty and love in every field of work. Love and beauty are within you. Try to express them through your actions and you will definitely touch the very source of bliss."

~

Instead of "I love you," say "I am love"

"The common expression is 'I love you.' But instead of 'I love you,' it would be better to say, 'I am love — I am the embodiment of pure love.' Remove the I and you, and you will find that there is only love. It is as if love is imprisoned between the I and you. Remove the I and you, for they are unreal; they are self-imposed walls that don't exist. The gulf between I and you is the ego. When the ego is removed the distance disappears and the I and you also disappear. They merge to become one — and that is love. You lend the I and you their reality. Withdraw your support and they will disappear. Then you will realise, not that 'I love you,' but that 'I am that all-embracing love.'"

~


"Pure love transcends the body. It is between hearts. It has nothing to do with bodies."

~

"Bhakti is love — loving God, loving your own Self, and loving all beings. The small heart should become bigger and bigger and, eventually, totally expansive. A spark can become a forest fire. So to have only a spark is enough, for the spark is also fire. Keep blowing on it, fanning it. Sooner or later it will burn like a forest fire, sending out long tongues of flame."

~

Love is beyond Logic

"Love just happens. Nobody thinks about how to love, or when and where to love. Nobody is rational about love. Rational thought hinders love. Love is a sudden rising in the heart. Love is an unavoidable, unobstructable longing for oneness. There is no logic in this. It is beyond logic. So do not try to be rational about love. It is like trying to give reasons for the river to flow, for the breeze to be cool and gentle, for the moon to glow, for the sky to be expansive, for the ocean to be vast and deep, or for the flower to be fragrant and beautiful. Rationalisation kills the beauty and charm of these things. They are to be enjoyed, experienced, loved and felt. If you rationalise about them, you will miss the beauty and charm and the feelings they evoke. Sit by the seashore. Look at it. Feel its vastness. Feel the rising up and down of the waves. Feel and be amazed at the creation and the creator of such magnificence. What good will it do you to rationalise about the ocean?"

~

Compassion

Question: Amma, are love and compassion one and the same, or are they different?

Amma: When love becomes divine love, compassion also fills the heart. Love is the inner feeling and compassion is its expression. Compassion is expressing your heartfelt concern for someone — for a suffering human being. Therefore, love and compassion are two sides of the same coin; they coexist.

~

"True worship of God is rendering help to those who are suffering."

~

"There are three types of people in this world. There are those who have nothing; then there are those who are just scraping by; and the third type are those who have far more than they need. Now, if those who belong to the third category don't do anything to help those of the first two categories, then Amma would say that those who belong to the third category, who are supposed to be rich, are, in fact, the poorest of the poor. Those who have far more than they need should have eyes with which to see the suffering of others; they should have ears to hear the distressed calls for help; they should have a loving heart with which to feel compassion towards those who suffer, and they should have willing hands with which to lend their assistance to those in need."

~

"Compassion is Consciousness expressed through your actions and words. Compassion is the art of non-hurting. Compassion cannot hurt. Compassion cannot hurt anyone because compassion is Consciousness manifested. Consciousness cannot hurt anyone. Just as the sky cannot hurt anyone and space cannot hurt anyone, the manifestation of Consciousness, compassion, cannot hurt anyone. One who has compassion can only be compassionate."

~

"Compassion does not see the faults of others. It does not see the weaknesses of people. It makes no distinction between good and bad people. Compassion cannot draw a line between two countries, two faiths or two religions. Compassion has no ego; thus there is no fear, lust or passion. Compassion simply forgives and forgets. Compassion is like a passage. Everything passes through it. Nothing can stay there. Compassion is love expressed in all its fullness."

~

"To be able to put oneself in another's position, to be able to see and to feel as another person does, this is the rare gift of an earnest spiritual seeker."

~

"A spiritual person finds happiness in being loving and compassionate towards everyone, even towards those who are against him. He is like a tree that gives shade even to those who are in the act of cutting it down."

Quotes on The Innocence of a Child

“A child has no ego, no past or future. The child has no attachments, and because of this, he is able to express himself fully, without any prejudices or preconceived ideas.”

~

“A child can attract anyone's attention; even the most cold-hearted person will have some feelings towards a child, unless the person is a demonic monster. This attraction is due to the innocence of the child. When you are free from the grip of the ego, you, yourself, will become as innocent and playful as a child.”

~

“A small child is not aware of its innocence. His or her innocent nature is completely unconscious. A small child is absolutely pure; he dwells in the state of purity before impurities are manifested. But soon, the child's purity and innocence will begin to disappear. Impurity and ignorance will take their place. The qualities of wonder and joy, imagination and faith that we see in a child are short-lived. As long as a child remains a child, his innocence is there. But a child changes. Even a child's mind is bound by time and space; therefore time brings about changes even in a child. Thus, the innocent child gradually slips into the clutches of the ego. The unmanifested ego and accumulated tendencies of past lives gradually manifest, and the child's innocence slowly slips back into an unmanifested state.”



~

Prema Bhakti

"Anyone who has tasted prema bhakti — devotion with supreme love — even for a second, will never waver from it. But such devotion does not arise in everyone. Not everyone who enters a lottery gets first prize. That only goes to one person among millions. True devotion is like that; only one in a million will experience it."

Quote Source from: Amritapuri

Wallpapers of love quotes

Wallpapers of love quotes

Wallpapers of love quotes

Wallpapers of love quotes

Wallpapers of love quotes

Wallpapers of love quotes

Wallpapers of love quotes

Wallpapers of love quotes

Wallpapers of love quotes

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wallpaper love couple

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wallpaper love couple Biography.

Consider two mid-'60s groups. Each is from Los Angeles, each is signed to Elektra Records, and each releases a series of albums that stand as some of the finest rock 'n' roll of the era. But in the early '70s, one of the groups' lead singers dies--and the then-defunct band's popularity grows to unbelievably massive proportions. By the early '90s, the group is immortalized when a prestigious film director devotes an entire movie to them.

Now consider that the two groups' names are Doors and Love--and in 1993, while the legend of late Doors vocalist Jim Morrison continued to grow two decades after his death, Love's singer Arthur Lee--in his 19th year without a major American record deal--was actually opening for a Doors cover band at a small Los Angeles club. One suspects he would have rather been hit by a bus.

Just one in a series of major ironies for Arthur Lee (b. 1944, Memphis, Tennessee) is the fact that his pioneering work with Love is now as revered internationally--at least on some critical levels--as the music of Jim Morrison's Doors. The first rock group to be signed by Elektra, Love was an unusual group by many standards--not least because both Lee, the band's lead singer and main songwriter, and John Echols, the band's guitarist, were black men who played rock 'n' roll. Very much an underground group (they rarely performed outside Los Angeles), Love first made their name on the basis of two superb 1966 singles: a remake of Manfred Mann's "My Little Red Book" (penned by Burt Bacharach & Hal David) from What's New Pussycat? and Lee's own "Seven And Seven Is," a top 40 hit. But much more influential were Love's albums, the first three of which displayed remarkable diversity and artistic growth.

The 1966 debut album Love was a much better than average collection of melodic, Byrds and Beatles-inspired pop, most of it written by Lee himself. By 1967's Da Capo, Love's original quintet had added two members, and the group's sound had grown much more sophisticated (including flute, saxophone and harpsichord)--as did Lee's compositions. Tracks like "Stephanie Knows Who" and "The Castle" were enormously inventive and dynamic, filled with complex chords and atmospheric shadings that sound contemporary even today. And the group had experimented even further by filling the second side of their LP with a 19-minute single track called "Revelation."

Still, all this served only as a prelude to 1967's Forever Changes, Love's all-time classic and an album many hold to be pop's finest. A mixture of hard rock and soft symphonic pop, it featured gorgeous string arrangements, trumpets, and pleasingly surreal lyrics by Lee. Released months after the so-called Summer Of Love, the album's back cover bore a picture of Lee holding a broken jug of obviously dead flowers; inside, Lee was singing lines like "They're locking him up today/ They're throwing away the key/ I wonder who it'll be tomorrow/ You or me?" A timeless album that is better heard than described, it will keep Arthur Lee's name in circulation well into the next century. "Those were my last words to the world," Lee recalled in 1981, "and I've been here ever since. Just like a guy saying good-bye, and you look out your front door and he's still there. I know I was real young, but I just thought that would be the year for me to exit."

Arthur Lee disbanded that version of Love and continued with several newer editions of the group, none ever as graceful or good as the first. 1969's hard-rocking Four Sail remains the last fully excellent album he was involved with; though nearly all of the Love albums to come between it and 1974's final Reel-to-Real boast many high points--including an appearance by Jimi Hendrix on 1970's False Start--Lee's seeming genius was slowly winding down. He recorded one respectable solo album in 1972's Vindicator (credited to Arthur Lee & Band-Aid), and one fairly shoddy one (including covers of the Bobbettes' 1957 hit "Mr. Lee" and Jimmy Cliff's "Many Rivers To Cross") released on the fledgling Rhino label in 1981, and hasn't released an American album since.

Though there have been several attempted Love reunions--including a 1978 concert issued by Rhino in 1982--it seems increasingly unlikely the group's magic could ever be duplicated again. Arthur Lee has continued to perform in the Los Angeles area through the '90s, and sometimes--not often, but sometimes--he still seems capable of making his audience believe it's 1967 all over again. Not that they want to; he just can't help it.

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