Tuesday, October 2, 2012

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Augustus Love's mother was Emily Serle and his father was John Henry Love. John Love was a surgeon who, later in his career, took up an appointment as a police surgeon for the borough of Wolverhampton. Augustus had one older brother and two sisters.

Augustus was educated at Wolverhampton School, which he entered in 1874, but there he failed to show the brilliance which he was to show later in his life. This is not to say that he was a poor pupil, merely a mediocre one, but by his final year at school he was beginning to excel and in 1881 he won a scholarship to study at St John's College Cambridge. Entering St John's College in the following year, his first difficult decision was whether to take a degree in mathematics or in classics. He decided on mathematics and steadily improved his performance until he was elected scholar of the College in 1884 and, in the following year, he was Second Wrangler, meaning that he was ranked second among the First Class students in the Mathematical Tripos. He was elected to a fellowship at St John's College in 1886 and the following year won the first Smith's Prize. These years were highly productive ones during which Love produced outstanding work which led to his election to the Royal Society in 1894.

Love was appointed to the Sedleian chair of natural philosophy at Oxford in 1899. At this time he gave up his fellowship at St John's College but, in 1927 he was elected an honorary fellow at his old College of St John's. In the same year of 1927 he was also elected to a fellowship at Queen's College Oxford.

He worked on the mathematical theory of elasticity, on which he wrote the two volume work A Treatise on the Mathematical Theory of Elasticity (1892-93) described as [3]:-

... a monumental work of the utmost importance.

Milne, writing in the Dictionary of National Biography, is full of praise for this outstanding work:-

This is a fine, scholarly work, written with an historical sense; unhurried in style, massive in lecture, satisfying in fullness. It gives the general theory of stress and strain; of the conditions of equilibrium and stability of elastic plates, shells and solids; of torsion rods and the bending and vibration of beams; and the transmission of force. It remains a permanent monument to the academic aspect of elasticity. The treatment throughout is severely analytical, but it took form too early to incorporate the tensor calculus.

Love also did important work on waves. His work on the structure of the Earth in Some Problems in Geodynamics won for him the Adams Prize at Cambridge in 1911. An expert on spherical harmonics, Love discovered the existence of waves of short wavelength in the Earth's crust. The ideas in this work are still much used in geophysical research and the short wavelength earthquake waves he discovered are called 'Love waves'. Milne writes:-

Love investigated the possibility of the propagation of a purely distortional surface wave, and found that such could exist in a heterogeneous medium. In these waves the disturbance is purely horizontal (traverse to the direction of propagation), and the wave velocity, unlike that of 'Raleigh waves', depends upon wavelength. 'Love waves' have proved of considerable importance in the hands of later investigators, who have been able to infer, from their application to seismograms, indications of the thickness of the upper layer of the earth's crust.

He received many honours, the Royal Society awarded him its Royal Medal in 1909 and its Sylvester Medal in 1937, while the London Mathematical Society awarded him its De Morgan Medal in 1926. He also acted as secretary to the London Mathematical Society for fifteen years between 1895 and 1910, and was elected as president of the Society in 1912-13.

He is described in [3] as follows:-

He was a singularly modest man with a passion for accuracy and a gift for the lucid exposition of difficult and abstruse problems. His lectures to his students at Oxford were models of clear thinking and style.

Milne describes him as having:-

... a certain whimsicality of manner and appearance which endeared him to his many friends.

Love never married and, after the death of his father during the time that he held his fellowship at Cambridge, the younger of his two sisters kept house for him for the rest of his life.

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Consider two mid-'60s groups. Each is from Los Angeles, each is signed to Elektra Records, and each releases a series of albums that stand as some of the finest rock 'n' roll of the era. But in the early '70s, one of the groups' lead singers dies--and the then-defunct band's popularity grows to unbelievably massive proportions. By the early '90s, the group is immortalized when a prestigious film director devotes an entire movie to them.

Now consider that the two groups' names are Doors and Love--and in 1993, while the legend of late Doors vocalist Jim Morrison continued to grow two decades after his death, Love's singer Arthur Lee--in his 19th year without a major American record deal--was actually opening for a Doors cover band at a small Los Angeles club. One suspects he would have rather been hit by a bus.

Just one in a series of major ironies for Arthur Lee (b. 1944, Memphis, Tennessee) is the fact that his pioneering work with Love is now as revered internationally--at least on some critical levels--as the music of Jim Morrison's Doors. The first rock group to be signed by Elektra, Love was an unusual group by many standards--not least because both Lee, the band's lead singer and main songwriter, and John Echols, the band's guitarist, were black men who played rock 'n' roll. Very much an underground group (they rarely performed outside Los Angeles), Love first made their name on the basis of two superb 1966 singles: a remake of Manfred Mann's "My Little Red Book" (penned by Burt Bacharach & Hal David) from What's New Pussycat? and Lee's own "Seven And Seven Is," a top 40 hit. But much more influential were Love's albums, the first three of which displayed remarkable diversity and artistic growth.

The 1966 debut album Love was a much better than average collection of melodic, Byrds and Beatles-inspired pop, most of it written by Lee himself. By 1967's Da Capo, Love's original quintet had added two members, and the group's sound had grown much more sophisticated (including flute, saxophone and harpsichord)--as did Lee's compositions. Tracks like "Stephanie Knows Who" and "The Castle" were enormously inventive and dynamic, filled with complex chords and atmospheric shadings that sound contemporary even today. And the group had experimented even further by filling the second side of their LP with a 19-minute single track called "Revelation."

Still, all this served only as a prelude to 1967's Forever Changes, Love's all-time classic and an album many hold to be pop's finest. A mixture of hard rock and soft symphonic pop, it featured gorgeous string arrangements, trumpets, and pleasingly surreal lyrics by Lee. Released months after the so-called Summer Of Love, the album's back cover bore a picture of Lee holding a broken jug of obviously dead flowers; inside, Lee was singing lines like "They're locking him up today/ They're throwing away the key/ I wonder who it'll be tomorrow/ You or me?" A timeless album that is better heard than described, it will keep Arthur Lee's name in circulation well into the next century. "Those were my last words to the world," Lee recalled in 1981, "and I've been here ever since. Just like a guy saying good-bye, and you look out your front door and he's still there. I know I was real young, but I just thought that would be the year for me to exit."

Arthur Lee disbanded that version of Love and continued with several newer editions of the group, none ever as graceful or good as the first. 1969's hard-rocking Four Sail remains the last fully excellent album he was involved with; though nearly all of the Love albums to come between it and 1974's final Reel-to-Real boast many high points--including an appearance by Jimi Hendrix on 1970's False Start--Lee's seeming genius was slowly winding down. He recorded one respectable solo album in 1972's Vindicator (credited to Arthur Lee & Band-Aid), and one fairly shoddy one (including covers of the Bobbettes' 1957 hit "Mr. Lee" and Jimmy Cliff's "Many Rivers To Cross") released on the fledgling Rhino label in 1981, and hasn't released an American album since.

Though there have been several attempted Love reunions--including a 1978 concert issued by Rhino in 1982--it seems increasingly unlikely the group's magic could ever be duplicated again. Arthur Lee has continued to perform in the Los Angeles area through the '90s, and sometimes--not often, but sometimes--he still seems capable of making his audience believe it's 1967 all over again. Not that they want to; he just can't help it.


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Singer, songwriter, actress. Born Courtney Michelle Harrison on July 9, 1964, in San Francisco, California. Outspoken, brash, and sometimes out of control, Courtney Love has become one of alternative rock's most fascinating figures. She is the widow of legendary Nirvana frontman Kurt Cobain as well as an accomplished solo artist in her own right. Love, however, has made more headlines for her outrageous exploits than her talent.

Her parents—Hank Harrison, an associate of the Grateful Dead and Linda Carroll, a therapist—divorced when she was only five years old. Raised by her mother, Love lived in a commune for several years. She then spent time in a reform school in her early teens for shoplifting and became a stripper at the age of 16, according to an article in Stella magazine. While living in Oregon, she befriended Kat Bjelland.

Signing and ACting

After a few attempts at college, Love spent a lot of time traveling the world, visiting places such as Japan, Ireland, and even Liverpool where she met a musician named Julian Cope and moved in with him, becoming a regular face at his gigs. She funded her travels with money she received from her grandmother and from working as a stripper.

The relationship didn't last and Love eventually returned to America. Love joined up with old friend Bjelland, forming the all-female punk trio Sugar Baby Doll with Jennifer Finch. Love and Bjelland developed their trademark fashion style around this time, appearing on stage in babydoll dresses, heavy make-up, and with messy hair. The band split up after Bjelland kicked Love out of the group. Finch went on to become the bassist in L7, another female-driven alternative rock group. Later Love and Bjelland reunited to create Babes in Toyland in 1987 with Lori Barbero on drums. But soon Love was pushed out by Bjelland.

In addition to music, Love tried acting. She caught the attention of film director Alex Cox in 1986 who decided to cast her in a small role in Sid and Nancy. The film told the story of punk music's most famous star-crossed lovers, Sex Pistols bassist Sid Vicious and his lover Nancy Spungen, which starred Gary Oldman and Chloe Webb. Sid and Nancy wasn't a success but Love persisted with her acting career with another of Cox's ventures, Straight To Hell, the following year, but this was even more of a flop, going straight to DVD.

Forming Hole

Living in Los Angeles, Love started to take music more seriously, learning to become a better guitar player. She founded her own band Hole in 1989 with Eric Erlandson after he replied to an ad she placed for musicians. They then brought in Jill Emery on bass and Caroline Rue on drums. Soon the group was making waves in the underground music scene with such singles as "Dicknail" and "Retard Girl." Produced by Don Fleming of Gumball and Kim Gordon of Sonic Youth, Hole's debut album, Pretty on the Inside (1991), attracted some critical attention in England. Love soon began to meet and befriend more influential musicians such as Michael Stipe of REM and Billy Corgan of The Smashing Pumpkins.

Tumultuous Marriage to Kurt Cobain

The year before Hole's album release, Love met Kurt Cobain from the band Nirvana at the Satyricon club in Portland. They later ran into each other at another show in 1991. Two months after the release of Nirvana's huge hit album, Nevermind, the couple started up a whirlwind romance. They were married on a Hawaii beach in February 1992. This was her second marriage, having been wed very briefly to James Moreland in 1989. In August 1992, the couple welcomed their first and only child, daughter Frances Bean. As the wife of an alternative rock icon, Love received a boost to her own music career, with major record labels suddenly began to take more serious notice of Love's work.

The couple soon found themselves in legal hot water. Love told Vanity Fair that she used heroin while unknowingly pregnant with Frances. The story touched off an official investigation by social services. But in the end, Love and Cobain retained custody of their daughter.

Love's joint drug abuse with her husband began to accelerate at a rapid pace, culminating in the tragic events of April 5, 1994. Cobain, deeply depressed, committed suicide using a shotgun to his head. His death was thought to be a suicide, and Love made the brave and public step of reading out the note he left behind to hoards of distressed fans at his memorial service a few days later.

Cobain's suicide came just before Hole's first huge commercial album release Live Through This (1994). And while still grieving for her husband, Love was then forced to endure more emotional torment when Hole's bassist Kristen Pfaff overdosed on heroin and died just two months later.

Film Roles

Rumors circulated that Cobain had co-written a large part of Hole's second album but Love vehemently denied this. To protect the band and Cobain's name, Love maintained a fairly professional relationship with the remaining Nirvana band mates and formed a partnership with them in 1997 called Nirvana LLC which would control all Nirvana related releases and try and protect the interests of all parties. However, the relations between Love and the group eventually became strained and by 2001, Love sought to terminate the company.

Not one to sit back and crumble, Love picked herself up and recruited a new replacement for Pfaff before touring with Hole internationally in 1995, appearing at worldwide festivals including Reading. Live Through This had become a critical success and the song "Doll Parts" did well on the pop and modern rock charts.

Still interested in acting, Love took on the role of Althea Flynt, the wife of Hustler publisher Larry Flynt in The People Vs. Larry Flynt (1996). Woody Harrelson portrayed her on-screen husband in the film, which was directed by Milos Forman. Love's performance won great acclaim and earned her a Golden Globe nomination for Best Actress. She became romantically linked to Edward Norton who

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Monday, October 1, 2012

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Augustus Love's mother was Emily Serle and his father was John Henry Love. John Love was a surgeon who, later in his career, took up an appointment as a police surgeon for the borough of Wolverhampton. Augustus had one older brother and two sisters.

Augustus was educated at Wolverhampton School, which he entered in 1874, but there he failed to show the brilliance which he was to show later in his life. This is not to say that he was a poor pupil, merely a mediocre one, but by his final year at school he was beginning to excel and in 1881 he won a scholarship to study at St John's College Cambridge. Entering St John's College in the following year, his first difficult decision was whether to take a degree in mathematics or in classics. He decided on mathematics and steadily improved his performance until he was elected scholar of the College in 1884 and, in the following year, he was Second Wrangler, meaning that he was ranked second among the First Class students in the Mathematical Tripos. He was elected to a fellowship at St John's College in 1886 and the following year won the first Smith's Prize. These years were highly productive ones during which Love produced outstanding work which led to his election to the Royal Society in 1894.

Love was appointed to the Sedleian chair of natural philosophy at Oxford in 1899. At this time he gave up his fellowship at St John's College but, in 1927 he was elected an honorary fellow at his old College of St John's. In the same year of 1927 he was also elected to a fellowship at Queen's College Oxford.

He worked on the mathematical theory of elasticity, on which he wrote the two volume work A Treatise on the Mathematical Theory of Elasticity (1892-93) described as [3]:-

... a monumental work of the utmost importance.

Milne, writing in the Dictionary of National Biography, is full of praise for this outstanding work:-

This is a fine, scholarly work, written with an historical sense; unhurried in style, massive in lecture, satisfying in fullness. It gives the general theory of stress and strain; of the conditions of equilibrium and stability of elastic plates, shells and solids; of torsion rods and the bending and vibration of beams; and the transmission of force. It remains a permanent monument to the academic aspect of elasticity. The treatment throughout is severely analytical, but it took form too early to incorporate the tensor calculus.

Love also did important work on waves. His work on the structure of the Earth in Some Problems in Geodynamics won for him the Adams Prize at Cambridge in 1911. An expert on spherical harmonics, Love discovered the existence of waves of short wavelength in the Earth's crust. The ideas in this work are still much used in geophysical research and the short wavelength earthquake waves he discovered are called 'Love waves'. Milne writes:-

Love investigated the possibility of the propagation of a purely distortional surface wave, and found that such could exist in a heterogeneous medium. In these waves the disturbance is purely horizontal (traverse to the direction of propagation), and the wave velocity, unlike that of 'Raleigh waves', depends upon wavelength. 'Love waves' have proved of considerable importance in the hands of later investigators, who have been able to infer, from their application to seismograms, indications of the thickness of the upper layer of the earth's crust.

He received many honours, the Royal Society awarded him its Royal Medal in 1909 and its Sylvester Medal in 1937, while the London Mathematical Society awarded him its De Morgan Medal in 1926. He also acted as secretary to the London Mathematical Society for fifteen years between 1895 and 1910, and was elected as president of the Society in 1912-13.

He is described in [3] as follows:-

He was a singularly modest man with a passion for accuracy and a gift for the lucid exposition of difficult and abstruse problems. His lectures to his students at Oxford were models of clear thinking and style.

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